I've Written About...

  • Isabelle Adjani's expert onstage freakout in Opening Night (Hyperallergic)

  • Elisabeth Kley and Tabboo!'s painted garden at Gordon Robichaux (Hyperallergic)

  • Doron Langberg's atmospheric, empathetic painting (Hyperallergic)

  • Coucou Chloe's cool and confrontational electronic productions (TinyMixTapes)

  • Home Is Not a Place, an interrogation of place and belonging at Anat Ebgi (Hyperallergic)

  • Carly Rae Jepsen's generously needy record, Dedicated (TinyMixTapes)

  • Louis Fratino's open-hearted, cinematic painting (Hyperallergic)

  • Weyes Blood's epic quest for meaning at the end of the world (TinyMixTapes)

  • The AIDS Memorial Grove, the spiritual heart of San Francisco (KQED Arts)

  • Lafawndah's ecstatic, ambitious post-global pop (TinyMixTapes)

  • Matmos' beautiful and chaotic plastic world (KQED Arts)

  • Show Me As I Want to Be Seen, the CJM's deep-dive into the queer self (Hyperallergic)

  • Jessica Pratt's gorgeously obscure folk music (KQED Arts)

  • Laws of Motion, Gagosian San Francisco's American Horror Story (KQED Arts)

  • Orestes Gonzalez & Zulfikar Ali Bhutto's battle for queer memory (KQED Arts)

  • Ficre Ghebreyesus' visionary Black landscapes (KQED Arts)

  • Etel Adnan's colorful claim to history (KQED Arts)

  • Craig Calderwood's queer, complicated craftworks (KQED Arts)

  • St. Vincent's mighty and mysterious, Strange Mercy (Into)

  • DJ Taye's massively fun and reverent footwork (Swim Gallery)